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This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

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Histories of Performance Documentation traces the ways museums have approached performance works from the 1960s onwards. This collection investigates the role of the performative in museum displays, and examines interdisciplinary practices which have influenced the field of performance documentation.

Histories of Performance Documentation traces the ways museums have approached performance works from the 1960s onwards. This collection investigates the role of the performative in museum displays, and examines interdisciplinary practices which have influenced the field of performance documentation.

The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything ¿ even the viewer ¿ can be simulated.

*Performing Presence: Between the Live and the Simulated* proposes that the advent of new media forms, and the increasing integration of contemporary performance and media has generated new engagements, practices and understandings of presence.

Performing presence: Between the live and the simulated proposes that the advent of new media forms, and the increasing integration of contemporary performance and media, has generated new engagements, practices and understandings of presence.Addressing new media art and performance, multi-media theatre, video installation, mixed reality environments and locative arts, the book presents case studies of work by Lynn Hershman Leeson, Paul Sermon...

Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions: What are the principle signifiers of theatrical presence? How is presence achieved through theatr...

This outstanding new work offers an analysis of leading political, philosophical and artistic texts and artworks, and represents a milestone for anyone interested in new technologies, theatre and politics.

How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday.

In the 1970s and early 1980s, the emergence of the Italian theatrical post-avant-garde marked a watershed in the development of experimental performance. In its vital mix of aesthetic experimentalism and philosophical and political engagement, the work of directors such as Federico Tiezzi, Mario Martone, Giorgio Barberio Corsetti, and Romeo Castellucci confronted the ubiquitous influence of North American art, performance, and popular culture,...

The profession of directing is barely a century old. "On Directing" considers the position of the director in theater and performance today. What is a director? How do they begin work on a play or performance? What methods are used in rehearsal? Is the director an enabler, a collaborator or dictator? As we enter the new millennium, is the very concept of directing under increasing threat from changes in thinking and practice? The full diversit...

The first book in the field to explore the links between theories of globalization and surveillance, bipower and biopolitics, performance and theatre, computer arts and politics, The Politics of New Media Theatre is an investigation into the political role played by the new media theatre. Gabriella Giannachi explores how new media arts constitute themselves as a radical political movement, and presents an analysis of both the role of virtualit...